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Harmonium
Wallace Stevens · Alfred A. Knopf · 1923
Book Record

Harmonium

Wallace Stevens · Alfred A. Knopf · 1923

Harmonium was published by Alfred A. Knopf in September 1923 — the same annus mirabilis that produced The Waste Land, Rilke’s Duino Elegies, and Yeats’s later poems. Stevens was forty-four years old, a vice president of the Hartford Accident and Indemnity Company, and virtually unknown as a poet beyond small-magazine circles. The collection established him immediately as one of the most original voices in American poetry — a poet of sensuous verbal luxury, philosophical complexity, and a distinctive blend of hedonism and metaphysical seriousness unlike anything else in the language.

The Collection

Harmonium contains nearly all of Stevens’s most famous individual poems:

“Sunday Morning” — a woman sits at breakfast on Sunday instead of going to church, and the poem expands this domestic refusal into a full-scale meditation on mortality, divinity, and the possibility of finding paradise on earth rather than in heaven. “Death is the mother of beauty.”

“The Emperor of Ice-Cream” — “Call the roller of big cigars, / The muscular one, and bid him whip / In kitchen cups concupiscent curds.” The poem celebrates physical reality over metaphysical abstraction with a confidence that borders on arrogance.

“Thirteen Ways of Looking at a Blackbird” — thirteen discrete images of a blackbird, demonstrating that reality is not single but multiple, that perspective is constitutive rather than receptive.

“Peter Quince at the Clavier” — music, beauty, and the body: “Beauty is momentary in the mind — / The fitful tracing of a portal; / But in the flesh it is immortal.”

“The Snow Man” — five tercets that reduce the self to nothing in order to see reality without human projection: “One must have a mind of winter… not to think / Of any misery in the sound of the wind.”

“Le Monocle de Mon Oncle” — aging, desire, and the comic dignity of a middle-aged man contemplating his own diminishment.

Stevens’s Aesthetics

Stevens’s poetry proposes that the imagination is not an escape from reality but a means of engaging it more fully. In a world without God (Stevens was an atheist for most of his life, though he received Catholic last rites), the poet’s task is to create fictions that make life bearable — not by deceiving us about reality but by enabling us to perceive its beauty and order. “The final belief is to believe in a fiction, which you know to be a fiction, there being nothing else.”

This philosophical position makes Stevens’s poetry paradoxically both hedonistic (celebrating the sensuous surface of things) and austere (acknowledging that beauty is a human construction imposed on indifferent matter). The tension between these poles — between the lush vocabulary and the cold metaphysics — is what gives his best poems their peculiar power.

Publication History

The first edition was published by Alfred A. Knopf, New York, in September 1923, in an edition of approximately 1,500 copies. First printings are identified by:

  • Knopf imprint and Borzoi colophon
  • “First edition” stated (or first-edition indicators)
  • Decorative binding in patterned boards

The book sold poorly — fewer than 100 copies in its first year. A revised and expanded second edition appeared from Knopf in 1931, adding fourteen poems.

Collecting Harmonium

First edition (Knopf, 1923): Fine copies bring $3,000–$10,000. The small print run (approximately 1,500) and the passage of a century make copies in fine condition genuinely rare. The decorative binding is prone to wear.

Copies with dust jacket: The jacket’s existence on the first edition is debated — some copies may have been issued without one. Jacketed copies, if genuine, bring extraordinary premiums.

The 1931 second edition (Knopf, revised and expanded): $500–$1,500 for fine copies.

Signed copies are extremely rare. Stevens was not famous until the 1950s; copies signed near the 1923 publication date are essentially unknown. Later signed copies (1950s) bring $5,000–$15,000.

Harmonium is one of the essential first editions of American modernist poetry — comparable in importance and scarcity to first editions of The Waste Land and Howl.

AuthorWallace Stevens
Year1923
PublisherAlfred A. Knopf
LanguageEnglish
TitleHarmonium
AuthorWallace Stevens
Year1923
PublisherAlfred A. Knopf
LanguageEnglish