A short life of the author
Hilton Als (b. 1960) was born in Brooklyn, New York, to an immigrant family from Barbados. He joined The New Yorker in 1994 and became its lead theatre critic.
Life and Career
The Women (1996) — a book in three sections about his mother, a woman who calls herself the Negress, and Dorothy Dean, a figure in the Warhol circle — is one of the most original works of American non-fiction of the 1990s. It defies categorisation: part memoir, part cultural criticism, part fiction, entirely its own genre.
White Girls (2013) — essays about figures including Eminem, Truman Capote, Flannery O’Connor, Richard Pryor, and André Leon Talley — is a meditation on whiteness, Blackness, and the complicated identifications that cross racial and gender lines. It won the National Book Critics Circle Award.
Als won the Pulitzer Prize for Criticism in 2017 for his theatre criticism in The New Yorker.
Major Works and Themes
Als writes about race, gender, performance, identity, and the way cultural figures become screens for collective desires and anxieties.
Key Works
- The Women (1996)
- White Girls (2013) — National Book Critics Circle Award
Collecting Als
The Women first edition (FSG, 1996) brings $30–$60. White Girls (McSweeney’s, 2013) brings $20–$40.