A short life of the author
Frank Chin (born 1940 in Berkeley, California) is a Chinese American writer whose combative, uncompromising work helped define — and fiercely contest — the boundaries of Asian American literature. His play The Chickencoop Chinaman (1972) was the first play by an Asian American to be produced in a mainstream New York theatre, and The Year of the Dragon (1974) followed at the American Place Theatre.
Major Works
Aiiieeeee! An Anthology of Asian-American Writers (1974, Howard University Press, co-edited with Jeffery Paul Chan, Lawson Fusao Inada, and Shawn Wong) — the landmark anthology that established Asian American literature as a literary category. The editors’ combative introduction argued that Asian Americans had been silenced and emasculated by both white racism and assimilationist Asian American writing.
Chin’s novels — Donald Duk (1991) and Gunga Din Highway (1994) — draw on Chinese mythology and Cantonese opera to construct a distinctively masculine Chinese American identity. His essays attacking Maxine Hong Kingston and Amy Tan for what he considered distortions of Chinese culture provoked fierce debates within Asian American literary studies.
Collecting Chin
Aiiieeeee! (1974, Howard University Press) first editions are the key collectible — scarce and valued at $100–$300. The Chickencoop Chinaman and The Year of the Dragon (1981, University of Washington Press) collects both plays. Chin’s novels, published by Coffee House Press, had small printings.