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Biography
Israeli

Etgar Keret

1967

Etgar Keret is Israel's most popular living writer — a master of the very short story whose compressed, surreal, tragicomic fiction captures the absurdity and violence of Israeli life in stories that are often only two or three pages long. His collections — including The Bus Driver Who Wanted to Be God (1992), Suddenly a Knock on the Door (2012), and Fly Already (2019) — have been translated into over forty languages. He is the son of Holocaust survivors.

Past sales0
PeriodContemporary
NationalityIsraeli
1. Biography

A short life of the author

Etgar Keret (b. 1967) was born on 20 August 1967 in Ramat Gan, Israel. His parents are Holocaust survivors from Poland. He studied at Tel Aviv University. He teaches at Ben-Gurion University of the Negev.

Life and Career

Keret’s stories are short — often one to three pages — and operate at the intersection of realism and surrealism. A man orders a pizza and the delivery boy turns out to be God. A husband discovers a zipper on his wife’s forehead. A goldfish grants wishes. These premises are played not for whimsy but for emotional truth, and beneath the absurdist surfaces are stories about loss, loneliness, violence, and the difficulty of living in Israel.

The Bus Driver Who Wanted to Be God (1992) was his first major collection. Missing Kissinger (1994) and The Nimrod Flipout (2002) followed. Suddenly, a Knock on the Door (2012) — his most widely read collection in English — introduced him to an international audience. Fly Already (2019) won the Sapir Prize, Israel’s most prestigious literary award.

The Seven Good Years (2015) — a memoir about the seven years between his son’s birth and his father’s death — was his most personal book.

He has also written graphic novels, children’s books, and screenplays. The film Wristcutters: A Love Story (2006) was based on his novella.

Major Works and Themes

Keret’s extreme compression — stories that are often shorter than a single page — is not a gimmick but a formal commitment. His stories work like jokes: set-up, complication, punchline — except that the punchline is usually devastating rather than funny, or funny in a way that is also devastating. The surreal premises are not escapism but a way of approaching subjects — violence, loss, the Israeli-Palestinian conflict, the Holocaust’s long shadow — that resist direct treatment.

His relationship to Israel is central. Keret writes from inside Israeli culture — he served in the IDF, he lives in Tel Aviv, his son was born during a bombing — and his fiction captures the specific Israeli combination of dark humour, existential anxiety, and stubborn normalcy that characterises life in a country defined by perpetual conflict. He is neither a propagandist nor a dissident but a witness whose medium is the fable.

His influence on the very short story form — internationally, not just in Hebrew — has been significant. He has demonstrated that fiction of extreme brevity can carry genuine emotional and intellectual weight.

Critical Reception and Legacy

Keret is the most internationally famous Israeli writer alive — translated into over forty languages, a regular guest at international literary festivals, and an ambassador for Israeli culture who is also willing to criticise Israeli policy. His cultural position — beloved in Israel, respected in Europe, increasingly known in America — is unique.

Key Works

  • The Bus Driver Who Wanted to Be God (1992)
  • The Nimrod Flipout (2002)
  • Suddenly, a Knock on the Door (2012)
  • The Seven Good Years (2015, memoir)
  • Fly Already (2019) — Sapir Prize

Collecting Keret

Hebrew-language editions are the true first editions and are collected in Israel. The early collections (The Bus Driver Who Wanted to Be God, Missing Kissinger) were published by Israeli presses with modest print runs.

English translations — published by Farrar, Straus and Giroux (US) and Granta/Chatto & Windus (UK) — bring $10–$30. Suddenly, a Knock on the Door (2012, FSG) is the most widely available English collection.

Keret signs at international literary festivals and events. He is generous with his time and signatures. Signed Hebrew editions are available through Israeli booksellers.